Weekend web reading

Tuesday Poem: Midnight Under a Full Moon in a Field in Minnesota by Sara Blackthorne

Monday, 18th October, 2010

Sara Blackthorne

Sara Blackthorne is a writer, editor, and novice photographer living in beautiful Madison, Wisconsin. She loves to knit, read, and ride her bicycle everywhere. Stay tuned for an upcoming writing workshop for women about finding the courage to tell your own story by checking out her blog or following her on Twitter

What I really like about this piece is it's light touch. Love poems tip so easily into saccharine but this one manages to be quite electric. 

 

 

Midnight Under a Full Moon in a Field in Minnesota

 

 

Let me lean

into you.

 

With all the ease of

weight

 

less

 

ness

 

my head

upon

your shoulder

 

I watch your fingers

under mine

each word

 

I try to sing

without forgetting.

 

stars keep spinning

 

We stand there

dancing, still.

 

Tonight we

watch the moon unravel

catching her bare,

unadulterated.

 

Let me lean

into you

 

our outline

fingers

tracing

 

lips just

brushing.

 

 

For more Tuesday Poems visit the hub.

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Birthday

Friday, 15th October, 2010

 

 

 

 

Two years ago I wrote a list of things (below) I wanted to do by now, some of these things I've √done, some I've *abandoned and some are +in progress / on-going...

I haven't finished half of them yet but looking at the list now I can see it was a bit ambitious! (haha). Ah well, we live and learn.

This week I turned 40. I thought perhaps 40 would be a scary age but actually I'm more relaxed now than in my 30s, the kids are old enough to be less stress inducing but young enough to be not teenage stress inducing. ;-)

The biggest things I gave up on were the Young Adult novels but I feel good about it. Last year I realised I was a poet, not a novelist and that isn't a bad thing.

I feel pretty good about the things I did do, and they were fun. Some of the in progress things are closer than others but I can see them happening. I don't feel the same desperate sense of urgency I did two years ago.

= What's on your To Do list? =

 

40 things I’d like to do before I turn 40

 

Sew a quilt +

Complete Frida’s Wardrobe project *

Finish my poetry manuscript √

Finish my YA manuscript *

Catch up on my WIP pile +

Do an overnight tramp again *

Go on a crafty girls road trip √

Transfer my vinyl to mp3 *

Read at least one book a fortnight √

Swim once a week *

Stay overnight on Kapiti Island +

Take the kids to visit the European rellis +

Dance more √

Make mix-cds for my friends +

Ride a toboggan down a snowy hillside +

Collaborate with a singer *

Exhibit/curate a women’s book collaboration +

Get some topographical maps *

Teach myself to play the recorder again √

Go roller skating √

Practise speaking foreign languages +

Start a second poetry manuscript √

Start a second YA novel *

Start a fire without matches √

Write a play *

Walk around with headphones on just breathing √

Skinny dip again +

Go to a tropical island +

Grow some decent tomatoes *

Say NO more often √

Take a big risk √

Send off more poems √

Go to some live music √

Clear all the pruning rubbish off our section √

Plant blueberry bushes and a stone fruit tree √

Turn a dead zone in the garden into a social space *

Dust off my fire-poi +

Start up a seed swap and a vintage sheet swatch swap √

Do more public performance √

Take the boogie board out again +

 

 

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Weekend web reading

Tuesday Poem: poems from Slip Stream by Paula Green

Monday, 11th October, 2010

I am thrilled to be able to show you not just one poem this week but a suite of poems from Paula Green's newly launched collection of poetry Slip Stream (Auckland University Press, 2010). These are the first four pieces of the book, which "tells a personal story of breast cancer, from an initial mammogram to biopsy, operations, radiotherapy treatment and recovery. The poems chart time passing and seasons turning by procedures done, books read, appointments made, food cooked and dreams dreamed." 

I'm just going to let the poems speak for themselves, then tell you to rush out and buy the book. To read more Tuesday Poems visit the hub.

 

Slip Stream by Paula Green

 

 

 

 

 

 

 

 

 

 

She drifts in the slipstream

of the slim margin.

 

 

 

 

 

 

 

 

 

 

 

*

 

 

 

 

 

 

 

 

 

 

Sometimes she worries that she is not worried.

She is very calm. Like the white page before she begins writing

or the water in the cat’s bowl.

She wonders if she should yell at passing cars.

Or get wild and pull out all the weeds along the grass verge.

She just wants to get on with things.

 

 

 

 

 

 

 

 

 

 

*

 

 

 

 

 

 

 

 

 

 

 

On the first day (a lifetime ago) a diagram

is sketched to show where she is and she hears

good news (she will be cut to be cured)

although she is suspicious of the fat gape

between medical jargon and English verbs.

 

 

How to drive out into the world?

In the organic shop she thinks she is hallucinating,

the organic produce produces streams of organic colour

that match the organic voice from behind the inorganic counter.

Nothing feels solid enough to walk upon,

but she takes her apples and pears to the inorganic car

trying not to fall through organic space

or slip through to another universe.

 

 

 

 

 

 

 

 

 

 

*

 

 

 

 

 

 

 

 

 

 

They fly to Queenstown but she has to bear

the weight of a phone call mid-air

(‘ninety-five per cent of women

in your shoes have nothing

to worry about’). Privately,

she laughs at her small collection of footwear,

mostly Chucks, and the way numbers seem to fall

like shooting stars and picture books

on the bright side,

according to the oncologist.

She is used to off-road driving and the weakness

of chance. They drive for hours through pillars of rocks

the burnt horizon a sleepy distraction.

 

It’s not a deep-seated worry,

just a flutter of the imagination.

 

 

 

 

 

 

 

 

 

 

 

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Shedding belongings

Saturday, 9th October, 2010

Haberdashery stash.3

When I look around my house I see a lot of “stuff”. Some of it belongs to me, some to my partner, some to our two kids. We seem to attract it like powerful magnets.

We have a generously sized house and we find it hard to say no. Many items have been given to us by friends, some are on long term loan from friends overseas. Some of the stuff we inherited from family members that have died. Most of it has a story behind it, the story gets me every time – how can you get rid of a narrative? Isn't history important?

For example, I have shelves and shelves of books. They've been collected over my 36 years of reading, 20 of those years have been in the book trade. Some I bought new, some were books I edited or promoted, some I found second hand like treasure, some belonged to my parents or grandparents, some were given to me by friends - “You have to read this!”. Obviously there is usually a narrative within the pages too.

My father likes to give me books, he also hoards books but by passing them onto me they are not quite gone, just in an extended library. So he never really has to let them go completely. Some of the books he gives me I love. Some I'll probably never read but how can I get rid of them? They're precious things, also precious to someone who is precious to me. At the same time they are a heavy weight .

I also have boxes in my basement that have some of my deceased Great Aunt's belongings, not expensive or important things but crazy vintage packaging and little everyday but personal items. I can't bring myself to get rid of them, they are social history, her history. I have an outfit she wore to my parents' wedding. I wont ever wear it, it doesn't even fit me but there it is in the photo and on the hanger, like a time machine in bright teal.

She herself used to hoard things, she came of age during the depression. Nothing got thrown out, it was either mended or used until it disintergrated. All sorts of things might come in handy, little bits of string, glass jars, old Christmas cards, you name it.

Of course if I lost all my stuff in a house fire it wouldn't be the end of the world, they are only things. The first things I would save from a fire would be my partner and children, naturally. So why do I hang on to stuff? The object isn't the memory is it?

When a person passes away all you have left of them are their belongings. I have an evening purse that belonged to my mother, inside is a tissue with her lipstick blotted onto it, in the shape of her lips. It's the closest I'll ever get to being kissed by her again. Yet it isn't her, all it does is assist in generating memories. The clothes I kept of hers used to smell of her, now 20 years on they've lost her scent, they're just a husk.

We fear losing things, we fear not having enough. Objects become more than objects, they become magical links to people, memories, safety, love. Yet these objects can also weigh us down and hold us back from the future. How can we let go of physical objects without letting go of the magic? Should we let go of these things? What's the harm in holding on? What do you think?

 

 

(Inspired by the lovely Bindu)

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Weekend Web reading

Thursday, 7th October, 2010
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Tuesday Poem: Reading Topographic Maps by Helen Heath

Monday, 4th October, 2010

 

Ash washed down to this gully.

A sense of trespass persists

like sneaking into an old lady’s

backyard. The trickle

of the creek makes me want to pee.

The hills are angry parents and

we are a pair of ticks,

with our teeth in the skin of the land.

 

My father tells the legend of Ridgeside,

the long gone family house on the hill.

Even the tennis court is bush now,

the lawn roller hiding under weeds.

We are more than grubby wild kids.

A lost house is proof of the status

we should’ve had. Our edge defined

by a strike-slip fault –

old hard greywacke bedrock pushed up

to the crest of Belmont Hill.

 

This was just published last week in the scrummy new Jack Move magazine (click "close" to enter the site).

To see more Tuesday Poems visit the hub.

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Weekend web reading

Wednesday, 29th September, 2010

typewriter

 

I'm trying out a new weekly slot - a round-up of interesting bits I've read online during the week. If you enjoy it let me know and I'll make it regular.

 

Gratuitous self promotion:

Jack Move magazine

 

Books, quakes and other shake-ups:

Reading Room by Jolisa Gracewood at Busytown / Public Address

 

Technology, our bodies, reading:

Surface Residue by Daniel Felstead at The Literary Platform

 

Grain-fed news:

Hinemoana Baker writes from Iowa

 

Surrendering to art instead of interpretation:

Surrender: an experiment in looking by Courtney Johnston at Best of 3

 

Ellie said - The harbour at Mana was a converted mudflat:

Denotation and Connotation: enjoy! by Emma Darwin at This Itch of Writing

 

Why the revolution will not be tweeted:

Small Change by Malcolm Gladwell at The New Yorker

 

Why the revolution *will* be tweeted:

What Malcolm Gladwell doesn't understand about social networks by Angus Johnston at The Huffington Post

 

The revolution tweeted - Pay what you like for 30 days of yoga classes and every cent gets donated to HIV/AIDS projects in South Africa:

Putting it all on the line by Marianne Elliot / Zenpeacekeeper

 

Ebooks and Accessibility:

E-Texts for All (Even Lucy) by Char Booth at Library Journal

 

Is poetry memoir?:

Poet forced to pulp book after row with her family by David McKittrick at The Independent 

 

Writing Working Mothers - a Laptop = Room of Ones own:

A working mother's guide to writing a novel by Mary McNamara at The Los Angeles Times

 

The Long and the Short of It:

Fergus Barrowman talks about the new short story writing competition on Access Radio

 

On the stash:

Books in Homes by Giovanni Tiso at Bat, Bean, Beam - A weblog on memory and technology 

 

Lovely booky eye-candy:

Bookshelf P0rn 

 

Robot pole dancers:

Tech know how - Hacking the everyday by Mark Ward BBC news 

 

Beautiful community journalism:

Hit-and-run victim was quiet and dependable, co-workers say by Andrew Meacham at St. Petersburg Times

 

Do boys need gross-out books and video games bribes to get them reading?

How to raise boys who read by Thomas Spence at The Wall Street Journal 

 

What do we mean exactly when we say "book"?

What are books good for? by William Germano at The Chronicle 

 

So what did you think? Your kind of thing? Best article? Want to see more next week?

Leave me a comment...

 

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Tuesday Poem: Snow by Sarah Broom

Monday, 27th September, 2010

Sarah Broom Tigers at Awhitu

Snow

 

It was as the snow started falling again

that she blurted it out, so they were all

just standing there gazing up, knee-deep

in snow, the little one thigh-deep,

when they heard it, the news that slipped

out like a necklace from a sleeve,

ot meant for the kids, not meant for here,

for the snowwoman with her pink hat

and old carrot nose, for the creaking

pines, the cracked plastic sled, the neat

rabbit tracks that shied all over the white

field. So they stood there, the little one

lost in any case in this too white world,

his too cold hands stiff in his wet wool

gloves, his feet stuck somewhere

miles down below. And once it was out

she wished she could call it back in,

like a dog you could whistle to,

but it wouldn’t, you couldn’t,

so they stood there in the snow,

and the big one asked, of course,

‘what’s that?’ and his dad just looked

straight back at her, his clove-brown eyes

soft with fear, the hound’s sour breath

hot on the nape of his neck.

 

Sarah Broom's first poetry collection, Tigers at Awhitu, was published by Carcanet Press and Auckland University Press in 2010. She was born in Dunedin in 1972 and now lives in Auckland with her husband and three children. In 2006 she published Contemporary British and Irish Poetry: An Introduction (Palgrave Macmillan). She has an MA in English from the University of Leeds and a DPhil from Oxford University. She lectured for a year at Somerville College, Oxford, before returning home to New Zealand with her husband in 2000. She has since held a post-doctoral fellowship at Massey University (Albany) and a lectureship in English at the University of Otago, Dunedin. Her poetry has been published widely in journals, including Landfall and Poetry New Zealand and, in the UK, Orbis, Metre, Acumen and the Oxford Magazine.

 

‘This sophisticated, intelligent collection is full of bittersweet, piercingly true contradictions. It’s poetry that leaves me both "unmoored" and "eased". I read it with the painful tingling of a numb limb feeling warm blood run through it again. This is what it is to be alive, to love, to dread.’ — Emma Neale

 

There are a couple of very unusual things about Tigers at Awhitu. Broom is in the rare position of having her first solo collection of poems published by English publisher Carcanet at the same time as it is being released in New Zealand. New Zealand poets are hardly ever selected for publication by overseas publishers and this is even more unusual for a first book. Furthermore, both publishers accepted the book on the basis of only a half a manuscript. Not only that but the second half of her book was written after she was diagnosed with cancer and given weeks to live. Most importantly though, Broom can really write. You can listen to a podcast of her interviewed by Helen Lowe here.

For more Tuesday Poems visit the Tuesday Poem hub.

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